Thursday, October 28, 2021

It's Halloween by Jack Prelutsky (1977)


Review by JOSIAH JONES

No one writes fun poetry quite like Jack Prelutsky, and his holiday collections are among his most enjoyable. After the otherworldly job Arnold Lobel did illustrating Prelutsky's Nightmares: Poems to Trouble Your Sleep, Marylin Hafner had a lot to live up to in It's Halloween, and she performs admirably, stirring the poet's words to compelling visual life. The childhood excitement of the season is palpable in these thirteen poems--I wonder if that number was chosen deliberately--as we explore the major and mild frights of October 31. 


"It's Halloween! It's Halloween!
The moon is full and bright
And we shall see what can't be seen
On any other night"


—"It's Halloween", P. 7


The title poem starts us off with a lyrical overview of Halloween's delightfully atmospheric thrills. The night's unique ambience is part of why trick-or-treating is such fun. "The Skeleton Parade" is next, all clacking, clinking bones as a troupe of skeletons walks out in the open as they cannot do on any other day. We then read "The Tricksters", a ballad of three clever kids dressed as a witch, a skeleton, and a ghost, who love Halloween for the opportunities it presents to play minor tricks on others. The story is enhanced by Marylin Hafner's evocative renderings of Halloween night. 

'Pumpkin" follows three kids who buy a pumpkin, take it home, and carve it into a grinning jack-o'-lantern illuminated by a candle within. Designing a creative jack-o'-lantern is one sure way to get into the spooky spirit of the holiday. "Countdown" builds to a jump scare as a girl holding her cat keeps track of where all the ghosts in the house are, including one sneaking up behind her... "Countdown" is reminiscent of a lot of scary American folklore. 

In "Trick...", a group of kids who approach a house in costume to collect candy are chased away by the mean couple who live there. The kids exact payback with a few traditional pranks—soaping the windows and chalking their door—and maybe the couple will think twice about being rude next Halloween. 

"There's a goblin as green
As a goblin can be
Who is sitting outside
And is waiting for me.
When he knocked on my door
And said softly, "Come play!"
I answered, "No thank you,
Now please, go away!"
But the goblin as green
As a goblin can be
Is still sitting outside
And is waiting for me."


—"The Goblin", PP. 33-35

"The Goblin" is the eeriest, most unsettling selection from this book, and the illustrations account for a lot of that. The kid feels pursued by the goblin without the horned creature moving an inch from its perch in the tree outside his window. The kid rebuffs the goblin's soft-spoken invitation to come out and play, but the beast just sits and stares in response, waiting. Goblins will wait as long as necessary to catch us if we wander outside without regard for the danger they pose, and this poem reminds us of that. It's a highly effective piece. "...or Treat" isn't a direct continuation of "Trick...", the poem before "The Goblin". It's a goodnatured verse about trick-or-treating door-to-door, promising to pull pranks if the people inside don't come through with candy. All in good fun. 

"Bobbing for Apples" frames a kid's frustrating lack of success in the title game, even as the kid's sister has no problem fishing an apple out of the water using only her teeth. It is a challenging game, and some take to it better than others. "Haunted House" is another atmospheric poem, about a house on a hill that every kid knows is inhabited by goblins, ghosts, and witches. The monsters congregate inside for their own holiday celebration on October 31, and kids know better to join them if invited. Nothing good happens at a gathering of ghoulish fiends. "Black Cat" shows a stealthy feline pattering around after dark, and a boy who sees it and runs away. He needn't court bad luck by getting too close.

"Ghost" is a fun scare shared by a pair of friends, and "Happy Halloween" brings the collection to an end with the same trio from "The Tricksters" as they return home after a night of trick-or-treating, feeling full and satisfied and ready to fall asleep and dream of their happy Halloween. It's a nice final poem. 

There are numerous good selections here, but "The Goblin" is best of the lot, a scary little verse with some depth. When a goblin appears at your window and asks you to play, will you agree to its request? Refusal doesn't mean you're safe forever. The monster will always be there waiting if your resolve wavers and you decide to dabble in its forbidden games. Jack Prelutsky is a reliably thoughtful writer, and "The Goblin" is his most intriguing poem in this book. It's Halloween is an entertaining collection; Prelutsky's fans won't be disappointed. Few do juvenile poetry better than he.

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JOSIAH JONES is an avid writer who has loved books for as long as he has been able to read them. Among his favorite authors are Louisa May Alcott, Rachel Field, Joseph Krumgold, Irene Hunt, E. L. Konigsburg, Katherine Paterson, Barbara Park, Jerry Spinelli, Edward Packard, R. L. Stine, and Neal Shusterman. In addition to writing and reviewing, Josiah has been a competitive juggler on the international stage, traveling as far as the United Kingdom and Canada. He is a free speech absolutist and a passionate fan of classic television and almost every variety of sport, from the popular to the obscure.


Tuesday, October 12, 2021

Choose Your Own Adventure, Young Readers #11: The Bigfoot Mystery by Lynn Sonberg (1983)

In creating School Book Scare, it was my hope to shine a spotlight on a diverse range of voices and viewpoints related to these strange literary curios. This post is the first of our guest contributions from Josiah Jones, an incredibly prolific reader and reviewer from Goodreads who was gracious enough to allow us to run some of his write-ups on the site. Check out Josiah's bio at the end of the review and stay tuned for more of his marvelous musings to come!

Interested in contributing to School Book Scare? Give us a ring at schoolbookscare [at] gmail [dot] com! - JC

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Review by JOSIAH JONES

Did Choose Your Own Adventure need an entry devoted to Bigfoot? Of course! It's hard to imagine there not being one among the franchise's various iterations, and Lynn Sonberg gives it to us. 

You are on a camping trip far out in the squatchy woods with your fifteen-year-old cousin, Sam. Having never gone camping, you're unnerved by nature's spooky sounds surrounding your tent that first night, and when you rise the next morning your campsite is in ruins and food is missing. The only clue to the perpetrator's identity is a set of gigantic footprints. They look more human than animal, but no person's feet could leave such large impressions. Is it the legendary Bigfoot beast? Sam is skeptical about that, but the two of you have a choice: follow the footprints, or report the incident at a ranger station. Which will it be?

The oversized tracks eventually lead down a steep stone trail that could be dangerous. If you continue following, you run right into Bigfoot, who grabs Sam and sprints away with superhuman strength and agility. Do you have the wits to save your cousin? 

Pursue Bigfoot to his cave, and you'll be just in time to intervene on Sam's behalf. Would you rather pitch a rock at the monster, or a live snake? Do you use your flashlight as a weapon, or your last jar of peanut butter as bait to distract the creature? 

Sam regards you with new respect if you rescue him; you're braver than he (or you) realized. Most of the story options lead to a confrontation with the brawny, speechless Bigfoot, but one path turns the whole thing into a prank cooked up by Sam. Is it better to be imperiled by a real monster, or fooled by your cousin? That's for you to decide.

If you head toward the ranger station rather than follow the footprints, Sam shares a theory with you as to who raided the campsite: Bigfoot Charlie, a notorious counterfeiter who escaped prison last week. As a fugitive, Charlie would have reason to steal your food. En route to the ranger station you must cross a rickety wooden bridge, and the wrong choices here lead to a bad fall and long hospital stay that will prevent you from camping for a while. 

If your luck holds regarding the bridge, you might fall from it to safety among giant ferns, but a rope snare closes on your ankle and lifts you upside down into a hemlock tree. As you pull yourself into sitting position on a branch, the sight on the ground is a frightening one: that nasty-looking, axe-wielding man is Bigfoot Charlie, who orders you to come down so he can "teach you to mess with my trap!" 

If you hide in the tree, he may start hacking at the trunk with his axe. You might accidentally find Charlie's counterfeit printing press in the tree, or he could climb after you and drive you straight toward a mountain lion stranded on another branch. Sam has gone for help, so a ranger might return and spare you Charlie's wrath; or, the real Bigfoot may show up and deal with the outlaw. However events transpire, your camping trip is not one you or Sam will forget.

This book has some good storylines, especially Bigfoot abducting Sam. The great outdoors can be overwhelming if you're not accustomed to it, but if you prove capable of handling the unexpected on this trip, you'll be prepared for any camping adventure for the rest of your life. What could be more harrowing than fighting Bigfoot? All said, the book doesn't live up to its potential because it tries to be too much: a monster mystery, crime escapade, and realistic comedy. That fractures the narrative to a degree that forbids internal consistency

Lynn Sonberg is a good storyteller, though, and Paul Granger contributes excellent, atmospheric illustrations. My favorites are the depiction of your campsite opposite page one, the intricately detailed stone trail on page two, a closeup of Bigfoot Charlie on page four (classic Granger style), the wobbly bridge on page eight, and your hike home with Sam through an idyllic outdoor setting on pages forty-eight and forty-nine. The Bigfoot Mystery could have been a lot better than it was, but I'll enjoy numerous rereads of it anyway.

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JOSIAH JONES is an avid writer who has loved books for as long as he has been able to read them. Among his favorite authors are Louisa May Alcott, Rachel Field, Joseph Krumgold, Irene Hunt, E. L. Konigsburg, Katherine Paterson, Barbara Park, Jerry Spinelli, Edward Packard, R. L. Stine, and Neal Shusterman. In addition to writing and reviewing, Josiah has been a competitive juggler on the international stage, traveling as far as the United Kingdom and Canada. He is a free speech absolutist and a passionate fan of classic television and almost every variety of sport, from the popular to the obscure.